Chandna, Pritish, Marius Miron, Jordi Janer, and Emilia Gómez. 2017. “Monoaural Audio Source Separation Using Deep Convolutional Neural Networks.” In Latent Variable Analysis and Signal Separation: 13th International Conference, LVA/ICA 2017, Grenoble, France, February 21-23, 2017, Proceedings 13, 258–66. Springer International Publishing.

Cortès, Guillem, Alex Ciurana, Emilio Molina, Marius Miron, Owen Meyers, Joren Six, and Xavier Serra. 2022. “BAF: An Audio Fingerprinting Dataset for Broadcast Monitoring.” In The 23rd International Society for Music Information Retrieval Conference (ISMIR 2022).

Craglia, M, E Gómez Gutiérrez, J Glovičko, S Manzan, V Charisi, I Calzada, S Consoli, et al. 2020. “Centre for Advanced Studies–CAS.”

Dzhambazov, Georgi Bogomilov, Marius Miron, and Xavier Serra. 2016. “Lyrics to Audio Alignment for Karaoke in Pop Music.” In ISMIR 2016. 17th International Society for Music Information Retrieval Conference; 2016 Aug 7-11; New York City (NY). International Society for Music Information Retrieval (ISMIR).

Fuentes, Magdalena, Justin Salamon, Pablo Zinemanas, Martı́n Rocamora, Genı́s Plaja, Irán R Román, Marius Miron, Xavier Serra, and Juan Pablo Bello. 2021. “Soundata: A Python Library for Reproducible Use of Audio Datasets.” arXiv Preprint arXiv:2109.12690.

Gomez, Emilia, Andre Holzapfel, Marius Miron, and Bob L Sturm. 2019. “Fairness, Accountability and Transparency in Music Information Research (FAT-MIR).” In Tutorial at the International Society for Music Information Retrieval Conference.

Gómez, Emilia, Carlos Castillo, Vicky Charisi, Verónica Dahl, Gustavo Deco, Blagoj Delipetrev, Nicole Dewandre, et al. 2018. “Assessing the Impact of Machine Intelligence on Human Behaviour: An Interdisciplinary Endeavour.” arXiv Preprint arXiv:1806.03192.

Janer, Jordi, Emilia Gomez, Agustin Martorell, Marius Miron, and Benjamin de Wit. 2016. “Immersive Orchestras: Audio Processing for Orchestral Music VR Content.” In 2016 8th International Conference on Games and Virtual Worlds for Serious Applications (VS-GAMES), 1–2. IEEE.

Kim, Hyon, Marius Miron, and Xavier Serra. 2023. “Note Level Midi Velocity Estimation for Piano Performance.”

Kim, Hyon, Pedro Ramoneda, Marius Miron, and Xavier Serra. 2022. “An Overview of Automatic Piano Performance Assessment Within the Music Education Context.”

Koduri, Gopala Krishna, Marius Miron, Joan Serrà Julià, and Xavier Serra. 2011. “Computational Approaches for the Understanding of Melody in Carnatic Music.” In Klapuri a, Leider c, Editors. ISMIR 2011: Proceedings of the 12th International Society for Music Information Retrieval Conference; 2011 October 24-28; Miami, Florida (USA). Miami: University of Miami; 2011. International Society for Music Information Retrieval (ISMIR).

M Miron, F Gouyon, MEP Davies. 2013. “Beat-Station: A Real-Time Rhythm Annotation Software.” In Sound and Music Computing Conference, Stockholm 2013, 729.

Madison, Guy, George Sioros, Matthew E. P. Davies, Marius Miron, Diogo Cocharro, and Fabien Gouyon. 2013. “Adding Syncopation to Simple Melodies Increases the Perception of Groove.” In Conference of the Society for Music Perception and Cognition.

Martel Baro, Héctor, and Marius Miron. 2017. “Data Augmentation for Deep Learning Source Separation of HipHop Songs.”

Miron, Marius. 2011. “Automatic Detection of Hindustani Talas.” Master’s Thesis, Universitat Pompeu Fabra, Barcelona, Spain.

Miron, Marius, Julio J Carabias-Orti, Juan J Bosch, Emilia Gómez, and Jordi Janer. 2016. “Score-Informed Source Separation for Multichannel Orchestral Recordings.” Journal of Electrical and Computer Engineering 2016.

Miron, Marius, Julio José Carabias-Orti, and Jordi Janer. 2014. “Audio-to-Score Alignment at the Note Level for Orchestral Recordings.” In ISMIR, 125–30.

———. 2015. “Improving Score-Informed Source Separation for Classical Music Through Note Refinement.” In Proceedings of the 16th International Society for Music Information Retrieval Conference (ISMIR).

Miron, Marius, and Matthew E. P. Davies. 2018. “High Frequency Magnitude Spectrogram Reconstruction for Music Mixtures Using Convolutional Autoencoders.” In 21st International Conference on Digital Audio Effects (DAFx2018).

Miron, Marius, Matthew EP Davies, and Fabien Gouyon. 2013a. “An Open-Source Drum Transcription System for Pure Data and Max MSP.” In The 38th International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Vancouver, Canada, May 26 - 31, 2013.

———. 2013b. “Improving the Real-Time Performance of a Causal Audio Drum Transcription System.” In Sound and Music Computing Conference, Stockholm 2013, 402.

Miron, Marius, Jordi Janer, and Emilia Gómez. 2017. “Generating Data to Train Convolutional Neural Networks for Classical Music Source Separation.” In Sound and Music Computing, 227–33.

Miron, Marius, Jordi Janer Mestres, and Emilia Gómez Gutiérrez. 2017. “Monaural Score-Informed Source Separation for Classical Music Using Convolutional Neural Networks.” In *Hu x, Cunningham SJ, Turnbull d, Duan z. ISMIR 2017. 18th International Society for Music Information Retrieval Conference; 2017 Oct 23-27; Suzhou, China.[canada]: ISMIR;

1. P. 55-62.* International Society for Music Information Retrieval (ISMIR).

Miron, Marius, and others. 2018. “Source Separation Methods for Orchestral Music: Timbre-Informed and Score-Informed Strategies.” PhD thesis, Universitat Pompeu Fabra.

Miron, Marius, Songül Tolan, Emilia Gómez, and Carlos Castillo. 2020a. “Addressing Multiple Metrics of Group Fairness in Data-Driven Decision Making.” arXiv Preprint arXiv:2003.04794.

———. 2020b. “Evaluating Causes of Algorithmic Bias in Juvenile Criminal Recidivism.” Artificial Intelligence and Law, 1–37.

Narang, Jyoti, Marius Miron, Xavier Lizarraga Seijas, and Xavier Serra.

1. “Analysis of Musical Dynamics in Vocal Performances.” In Kitahara t, Aramaki m, Kronland-Martinet r, Ystad s, Editors. Music in the AI Era. Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research; 2021 Nov 15-19; Tokyo, Japan. Japan: CMMR 2021 Organizing Committee, the Laboratory PRISM; 2021. Les éditions de PRISM.

Narang, Jyoti, Marius Miron, Ajay Srinivasamurthy, and Xavier Serra.

1. “Analysis of Musical Dynamics in Vocal Performances Using Loudness Measures.” In 25th International Conference on Digital Audio Effects (DAFx2022), 33–39.

Plaja-Roglans, Genı́s, Marius Miron, and Xavier Serra. 2022. “A Diffusion-Inspired Training Strategy for Singing Voice Extraction in the Waveform Domain.” In The 23rd International Society for Music Information Retrieval Conference (ISMIR 2022).

Ramoneda, Pedro, Dasaem Jeong, Eita Nakamura, Xavier Serra, and Marius Miron. 2022. “Automatic Piano Fingering from Partially Annotated Scores Using Autoregressive Neural Networks.” In Proceedings of the 30th ACM International Conference on Multimedia, 6502–10.

Ramoneda, Pedro, Marius Miron, and Xavier Serra. 2021. “Piano Fingering with Reinforcement Learning.” arXiv Preprint arXiv:2111.08009.

Ramoneda, Pedro, Nazif Can Tamer, Vsevolod Eremenko, Xavier Serra, and Marius Miron. 2022. “Score Difficulty Analysis for Piano Performance Education Based on Fingering.” In ICASSP 2022-2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 201–5. IEEE.

Sanchez-Martinez, Sergio, Oscar Camara, Gemma Piella, Maja Cikes, Miguel Ángel González-Ballester, Marius Miron, Alfredo Vellido, Emilia Gómez, Alan G Fraser, and Bart Bijnens. 2022. “Machine Learning for Clinical Decision-Making: Challenges and Opportunities in Cardiovascular Imaging.” Frontiers in Cardiovascular Medicine 8: 2020.

Sánchez-Martı́nez, Sergio, Oscar Camara, Gemma Piella, Maja Cikes, Miguel Angel Gonzalez Ballester, Marius Miron, Alfredo Vellido, Emilia Gomez, Alan Fraser, and Bart Bijnens. 2019. “Machine Learning for Clinical Decision-Making: Challenges and Opportunities.”

Schmidt, Nicolás, Jordi Pons, and Marius Miron. 2022. “PodcastMix: A Dataset for Separating Music and Speech in Podcasts.” In Interspeech 2022.

Serra, Joan, Didac Suris, Marius Miron, and Alexandros Karatzoglou.

1. “Overcoming Catastrophic Forgetting with Hard Attention to the Task.” In The 35th International Conference on Machine Learning (ICML 2018).

Serrà Julià, Joan, Gopala Krishna Koduri, Marius Miron, and Xavier Serra. 2011. “Assessing the Tuning of Sung Indian Classical Music.” In Klapuri a, Leider c, Editors. ISMIR 2011: Proceedings of the 12th International Society for Music Information Retrieval Conference; 2011 October 24-28; Miami, Florida (USA). Miami: University of Miami; 2011. International Society for Music Information Retrieval (ISMIR).

Sioros, G, M Davies, G Madison, P Silva, M Miron, D Cocharro, C Guedes, and F Gouyon. 2013. “Mechanisms of Groove and Theirapplications.” In The Music, Poetry and the Brain Conference, Lisbon, Portugal, May 25, 2013.

Sioros, George, Marius Miron, Diogo Cocharro, Carlos Guedes, and Fabien Gouyon. 2013. “Syncopalooza: Manipulating the Syncopation in Rhythmic Performances.” In International Symposium on Computer Music Multidisciplinary Research.

Sioros, George, Marius Miron, Matthew Davies, Fabien Gouyon, and Guy Madison. 2014. “Syncopation Creates the Sensation of Groove in Synthesized Music Examples.” Frontiers in Psychology 5: 1036.

Sturm, Bob LT, Maria Iglesias, Oded Ben-Tal, Marius Miron, and Emilia Gómez. 2019. “Artificial Intelligence and Music: Open Questions of Copyright Law and Engineering Praxis.” In Arts, 8:115. 3. Multidisciplinary Digital Publishing Institute.

Tolan, Songül, Marius Miron, Emilia Gómez, and Carlos Castillo. 2019. “Why Machine Learning May Lead to Unfairness: Evidence from Risk Assessment for Juvenile Justice in Catalonia.” In Proceedings of the Seventeenth International Conference on Artificial Intelligence and Law, 83–92.

Yesiler, Furkan, Marius Miron, Joan Serrà, and Emilia Gómez. 2021. “Assessing Algorithmic Biases for Musical Version Identification.” In Web Search and Data Mining (WSDM 2022).

Zinemanas, Pablo, Martı́n Rocamora, Marius Miron, Frederic Font, and Xavier Serra. 2021. “An Interpretable Deep Learning Model for Automatic Sound Classification.” Electronics 10 (7): 850.